Theatre
DOI:
https://doi.org/10.47854/BCVR9343Keywords:
Actor, Character, Stage, Staging, Representation, ArtsAbstract
Voice and movement are the two main elements of dramatic art. This discipline allows for a new perspective on the issues faced by anthropology by reframing them at the crossroads between stage and venue. The distancing effect (Brecht) or the identification of actors to their character (Artaud) creates a dividing thought that does not consist of playing roles, but rather outplaying a social game and the comedies of power.
References
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Diderot, Denis (2013), Paradoxe sur le comédien. Paris, Garnier-Flammarion.
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Grotowski, Jerzy (1971), Vers un théâtre pauvre. Lausanne, L’Age d’Homme.
Laplantine, François (2020), Scènes et mises en scène. Paris, Pocket.
Lehmann, Hans-Thies (2002), Le théâtre postdramatique. Paris, L’Arche.
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Pradier, Jean-Marie (1996), «Ethnoscénologie. La profondeur des émergences». International de l’imaginaire, n°5, Paris, Babel.
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Stanislavski, Constantin (2001), La formation de l’acteur. Paris, Payot.
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