Vol. 2 No. 1 (2025): What music splits: a body, a place, a machine

This issue is a breach. It affirms that it opens a passage where there was only a wall. It acknowledges that these texts do more than simply impart knowledge: they crack frameworks, shift lines, create interstices. Isn't a breach what allows the unexpected to enter, what allows air to circulate in a room that's too closed off? Isn't it what makes a disciplinary field cease to be an enclosure and become a space that is traversed, porous, and alive?